Tuesday, June 29, 2010
Wheatfield with crows and Digital age technologies
I love the way museums are using the web to give us a closer relationship with objects that are on the other side of the world try this link to zoom into this work.
Or if you have an iphone you may want to get the museums app called "Yours, Vincent"
If you have not already done so check out this link to the Google Art Project Gallery Tours as well. The Rijks Studio is fantastic for engaging with the collection.
The original is very different then what we see in reproductions and the link above is closer to what one sees when viewing it at the museum.
I think the cuts through the field are almost a liver colour in the original painting from memory and I think these cuts add something to what Van Gough mentions once again this work could be seen as a "Subject" painting.
Vincent wrote to Theo about two of these works:
“They depict vast, distended wheatfields under angry skies, and I deliberately tried to express sadness and extreme loneliness in them.” But these pictures also had a positive side: “I am almost certain that these canvases illustrate what I cannot express in words, that is, how healthy and reassuring I find the countryside.”
Monday, June 28, 2010
Sunday, June 27, 2010
Significant Paintings
As I started this with a major work that has moved me I thought I would like to continue to look at some other works that surprised me when seeing the original works.
I suppose no surprise here as this is a work that has been around for a long time.
What is surprising is the painterly way this work is handled that cannot be found in other works from this period. In particular look at the sleeve of the man's wedding robes. Painting on this has a physicality that carrys into the work. The sleeve appears to be made of solid gold adding further meaning as well regarding the eternal nature of the couples bonding. The tenderness of the scene and the intamacy of the couples embrace through the touch of hands strike one as they are not the hands of youth but mature adults. The rich pomegranite red of the womens dress adds further to the symbolism in the work. A very moving work in the original.
http://en.wikipedia.org/wiki/Pomegranite#Christianity
I could not get away from this work because of the compositional elements in this work. The arrow cut into the crop in particular is such a amazing element in the work. The translucency of the tree is another amazing element in the work. The pristine freshness of both of this work and the Rembrandt are also something that strikes one when looking at the original works.
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What is surprising is the painterly way this work is handled that cannot be found in other works from this period. In particular look at the sleeve of the man's wedding robes. Painting on this has a physicality that carrys into the work. The sleeve appears to be made of solid gold adding further meaning as well regarding the eternal nature of the couples bonding. The tenderness of the scene and the intamacy of the couples embrace through the touch of hands strike one as they are not the hands of youth but mature adults. The rich pomegranite red of the womens dress adds further to the symbolism in the work. A very moving work in the original.
http://en.wikipedia.org/wiki/Pomegranite#Christianity
I could not get away from this work because of the compositional elements in this work. The arrow cut into the crop in particular is such a amazing element in the work. The translucency of the tree is another amazing element in the work. The pristine freshness of both of this work and the Rembrandt are also something that strikes one when looking at the original works.
Wednesday, June 9, 2010
Friday, June 4, 2010
Tuesday, June 1, 2010
http://sydney-central.whereilive.com.au/news/story/alan-jones-puts-his-spoke-in-on-sydney-cycleways/
Someone needs to tell this man to stop not helping. What is needed is more cycleways.
Someone needs to tell this man to stop not helping. What is needed is more cycleways.
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